Nora Ephron had a saying: “everything is copy.” The idea being, in the life of a writer (or creative of any kind), everything is potential fodder for art. In today’s writing world, one might say that “everything is content.” Deleting scenes from drafts is a process every writer is familiar with: scenes, subplots, entire characters become victim to creating the best paced, most coherent version of a story. And sometimes, even our favorite scenes just don’t fit. But, unlike days of yore, we don’t necessarily have to kill our darlings anymore. We just have to relocate them.

Enter the world of Bonus Content. From art to backstories, fake social media feeds to extra details, and outright cut scenes, readers who love books often love all these bonuses and extras. Popping a bonus scene on a website is so commonplace, even Rebecca Yarros is doing it. I’m obviously nowhere near on the level as Rebecca Yarros, but as I start artfully relocating some of my scenes, I thought I’d start sharing them here with you every so often. Read on to find the first peek at some content cut from THE RACING LINE, as well as the usual reading roundup and assorted randomness.

Reading

Now that I’ve put the first draft of THE RACING LINE to bed, and started outlining books 2 and 3 in my F1 series, I’ve finally started letting myself read all the other F1 Romances out there. And it was a great month to start as TWO F1 Romances were released in May. I haven’t read either of those yet as I have a million things on my TBR, but I’ve got one on audio from Libby and it’ll be my next read. So expect a LOT of F1 Romances in June’s reading roundup!

I did finish up two of the books I’ve been reading for research, though. If you want to learn more about how F1 works from a holistic team view, I’d recommend How to Win a Grand Prix by Bernie Collins, and if you’d like a wider view of F1, including where it’s going, On the Grid by Luke Smith was a great read.

= Five Stars | 🎧️ = audiobook | 📖 = Book Club | 🏎 = F1 Book (Fiction and Non-fiction)

(Note: Since I’m writing a Formula 1 Romance, I’m not planning on rating other F1 Romances at all, but obviously, you should read them ALL so publishers know people REALLY want to read more F1 Romances!)

  • Gwen and Art Are Not In Love by Lex Croucher

  • 🏎 Fast & Reckless by Amanda Weaver 🎧️

  • Radiant Sin by Katee Robert

  • The Roommate by Rosie Danan 🎧️

  • Lights Out by Navessa Allen 🎧️

  • Practice Makes Perfect by Sarah Adams 🎧️

  • 🏎 How to Win a Grand Prix by Bernie Collins

  • Great Big Beautiful Life by Emily Henry 📖

  • Friends with Benefits by Marisa Kanter

  • The Paradise Problem by Christina Lauren 🎧️

  • 🏎 On the Grid: Life Behind the Scenes of Formula 1 by Luke Smith

Writing

I’m deep in revisions (49% at EOD May 31st) on THE RACING LINE and I’m starting to realize what might not make the cut. That includes 2 of 3 scenes I wrote as a sort of prologue; scenes that track some of Maeve and Jill’s teenage relationship, building some investment in them as a couple (before time jumping to where they haven’t spoken for 8 years). In thinking about how to structure this to grab readers (and, crucially, agents), I’m realizing that starting with the current time and using flashbacks carefully and strategically is potentially better.

This scene may still find a place, but it’s more likely going to be cut. As a little teaser for what you can look forward to in THE RACING LINE, enjoy this little snippet.

Note: This snippet hasn’t been copy edited, please forgive any errors or typos.

JUNE 2014

Jill

Our first kiss was in Paris. How cliche is that? 

It was the third race of that second summer, and the first time I beat everyone else to a first place finish. Up on the podium, I didn’t know what to expect when I looked at Maeve — was she going to be upset that she didn’t win, worried that I was a threat to her? But when I looked to my right, her face was focused on me and she was beaming like she’d been the one to win. My whole body flushed warm and I lost all focus on anything but her.  

Along with Maeve and I, Emma and a couple of the other girls had organized a few days in Paris after the race since we didn’t have another one for two weeks. Apparently everyone else, growing up in Europe and racing in this league for over a year, had already been to Paris — some multiple times. But I’d been approximately nowhere and after some convincing and talking to Maeve’s parents for assurances, my dad relented and let me go with them. Emma and Helene (who was French, herself) rolled their eyes at my suggestions of going to The Louvre and the Eiffel Tower and all the other popular sights as something too touristy and uncool for them, but Maeve volunteered to join me for every one. At the top of the Eiffel Tower, I turned back to her from staring at the view and found she’d been looking at me. I didn’t know how long she had been. 

“Maeve… why are you looking at me like that?” Her gaze was so intense it might as well have been a spotlight. In the year since I’d met her, I’d realized that what I thought was a “girl crush” on my new friend was actually just a… crush crush. I’d spent an astronomically high amount of time thinking about what her lips would feel like on mine. I knew she liked girls because she’d referenced an ex-girlfriend a few times. But I had no idea if she liked… me. Trying to find out seemed like the quickest way to ruin our friendship. 

“Because you’re the most beautiful thing there is to look at right now.” 

A choked, awkward laugh of disbelief escaped me. She took a step toward me and my brain short-circuited. “Maeve, I —”

She stopped and so did my words. Her face fell. “Oh no, have I got this all wrong?” 

I shook my head and closed the gap between us, taking her hands in mine. “No,” I insisted, “I just…” I just… what? I just need to take a moment for my brain to catch up? I just need to pinch myself to make sure this is actually happening? I just worry about what this means and what happens next and everything else? What was I even trying to say? I decided to stop talking and overthinking it and pressed forward to kiss her. After a moment, I could feel the smile form on her lips before she kissed me back, a hand moving up to cup my face. 

The strawberry smell of her shampoo surrounded me. Her lips were soft and she tasted like vanilla and lemon from the crepes we’d had on the walk to the park. Her tongue gently pressed into my mouth, very different from the insistent poking and prodding of the boys I’d kissed up to that point. I was still processing, cataloging the differences when she pulled back and smiled at me. 

“So, should I take that as a sign you like me, too?” She asked with a wolfish grin. 

“A very strong indication, yes.” I nodded like a bobblehead and went in for another kiss. 

For over two years, through hundreds of tube and train rides, car races and concerts, rushed lunches and cheeky Nando’s, family dinners and late nights, Maeve Linden became part of my life. She made me a better driver. She became my best friend, my confidant, the first girl I kissed, and the first person I fell in love with. We had a shared dream… a vision of where our lives would go and in that vision, we were always going there together. 

And then, she became the first person to break my heart and I never thought I’d see her again. 

… and Randomness

  • Y’all know I love to write about Broadway. Well, WHOOWEEE was there some drama in the world of drama this month. Patti Lupone was featured in the New Yorker and in the piece, honestly came across truly insufferable. And totally unnecessarily, she stirred up shit with Kecia Lewis (that most of the world had forgotten about) and then… THEN… she went for Audra McDonald. Audra McDonald, most nominated Broadway performer, winningest Broadway performer at the Tonys… another true legend. And the Broadway community said “Shut up, Patti Lupone!” Like, literally. Over 500 performers and Broadway workers signed an open letter denouncing what she said, raising the bigger issue of folks using their power and privilege to disrespect other performers like that, and call for Patti to be disinvited to the damn Tonys. She’s now apologized and said she’ll try to do better, so hopefully she’s learned her lesson.

  • Justice for Altos say Amy Poehler and Renee Rapp.

  • TAYLOR SWIFT OWNS HER NAME AND REPUTATION 😭 😭 😭

  • I need to write more about the specifics behind this, but until I do, I’ll cryptically just say that I’ve embraced the power of just fucking asking recently. And I’m so effing glad I have. 🤐 More on that later.

It’s June! Glitter and Be Gay, y’all! Happy Pride!

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